This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Watching them try, however, is the best thing you’ll do all day. To test its strength and prove that not even a human-sized cockroach could evade one of their traps, they took a look to see whether a scientist, a runner, or a sumo could make it all the way across. The premise behind it is that cockroaches are evolving all the time, and could one day be the size of human adults (hush now, don’t question it…it’s science, or something). This insane video, which at times is genuinely hilarious, was put together by the manufacturers of Earth Chemical cockroach traps. Like, I don’t know, making them traverse a carpet’s worth of adhesive bug catcher – for example. They force them into doing strange things for other people’s amusement. Why? Because they’re in Japan and that’s just what Japan does to people. The following three minutes and 38 seconds are the strangest three minutes and 38 seconds of their lives. The collection’s prints, when they eventually materialized, were abstract and painterly in earthy colors, or else they reproduced Japanese calligraphy.Screenshot: Earth Chemical (via YouTube).Ī scientist, a runner, and a sumo wrestler walk into a room. Here and there a flash of white turned up, usually on the underside of an asymmetrically draped and ruffled shirt. This season’s jackets have folds and flaps like intricate origami patterns, with portrait collars, narrowed waists, and flared or peplum hems. It started with tailoring, as his shows tend to do. He’s a designer who’s inward-focused, measuring collections only against his own four-decade body of work. Yamamoto does not design for the social media moment he’s not concerned with going viral. You could almost feel the collective exhalation as the crowd relaxed into its placid rhythm. The show was a meditation on Yohji-isms, presented slowly and with care. It was Yamamoto’s voice on the soundtrack, and most of the songs he sang were in his native Japanese. Lou Reed’s “Walk on the Wild Side,” and CSNY’s “Four Dead in Ohio” are 50 and 51 years old respectively. Giorgio Armani has 10 years on Yamamoto, and Ralph Lauren has five, and they’re both still working.Īnd yet the music at Yamamoto’s show, at least the songs I could recognize, were a reminder of time’s passing. The designer emerged for his bow as spry as ever, so perhaps such talk is premature. Maybe it’s because Yamamoto turns 79 next week and there are questions about retirement and succession. Maybe it’s because Yohji is in the air again, with younger designers reexamining his 1990s oeuvre. There were spillover crowds at tonight’s Yohji Yamamoto show.
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